The Squid and the Submarine

Exeter Squid Submarine Art

After a weekend of drinking fizzy wine, vigorously baking cupcakes, and hanging up bunting and garden lantern lighting paraphernalia (which looked beautifully festival-like in the evening), Jamie’s attempt at having two birthdays in two weeks is over. Staying at a friends for the aftermath, we spent Sunday on a walk through fields and woods; me with inappropriate gripless shoes and hungover muscles. “Well, you’re hardly Indiana Jones,” I was told as I failed to pull myself over a fence on a minor incline.

We also went to an art gallery, Spacex, that trod a brilliant line down a mix of installations, photography, video and drawings – without being up its own ass – and wonderfully avoided any nonsensical art which hinged on enjoying gallons of pseudo-intellectual art blurb. I suspect that Brighton is sometimes a bit guilty of pseudo-intellectual blurb (I know it is). It was refreshing.

I liked the squid that attacked a submarine, turning on every fifteen minutes and reacting with motion sensors to terrify everyone around it. Perhaps I just like bright electronics and fuzzy fibre optics. It also had a submarine pinging noise to press with a satisfying big red button. I tested it a lot. Here I can be seen not only demonstrating the glory of the Squid Submarine but also doing a loud sort of Cartman/Weebl & Bob impression for unknown reasons.

Exeter Squid Submarine Art
Straight from the pages of Jules Verne – a motorised model submarine by Cut and Scrape lurches about in the clutches of a giant squid.

Exeter Squid Submarine Art

Amongst other pieces the slightly porny ink drawings of sea creatures looked like the animals out of George Orwell’s 1984 that used to scare me as a kid.

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