Grand days out to Decode

The V&A is a very nice museum. There is a mad hanging thing made of glass from the ceiling. We queue and I stare at it. (There is another ceiling made from flattened trumpets in a different hall which we’ve seen something similar to in the Tate and disliked its new art status but we like it at the V&A.) It warrants spectacles. After admiring the stairs and finding the toilets, which we admire slightly less, we hunt out Decode.
The entrance has lights on the end of sticks that react as you make noise and rattle them. “Ah, art” I revel gleefully. It is full of good things.
There is a board which creates a shadow on itself when you stand in front of it. I peer at the side of the board; a whirring weave of light-reactive electronics which pulls strips of light/dark material back and forth to form the shadow.
The best part is outside around the corner in a modern tech section where I find a big table-sized machine that makes music (it looks a bit like something very expensive used by very rich musicians I’ve forgotten the name of). I have a play, and the man who made it explains it brilliantly.
“Oh,” I think as I listen. “This would be ace if I’d got a recording.” My powers of foresight avoid me for the rest of the day but I make haphazard video clips left right and center. And now I put them on youtube. Tada! They are in order of favourite bits – the shadow-making machine and the musical thingummy are best, and there are lots of colourful things (hit HD for decent quality).
I went last month but Decode finishes on Friday, WEEP WEEP! So you must go now! That said, I liked Kinetica a bit more (where I was given EVEN MORE brilliant explanations of things I don’t have clips of) because it was so mad and busy and bustling. I suppose that’s the difference between a weekend event and a three-month event.
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